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	<title>Book:I Shall Wear Midnight/Annotations - Revision history</title>
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	<updated>2026-05-01T11:42:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Guybrush: Page number formatting</title>
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		<updated>2025-04-27T00:32:59Z</updated>

		<summary type="html">&lt;p&gt;Page number formatting&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:32, 27 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will, this is reminiscent of “The Equestrian Statue”, a song by 1960s prankster musicians, the [[wikipedia:Bonzo Dog Doo-Dah Band|Bonzo Dog Doo-Dah Band]]. In the song a statue in the park takes it into its head to wake up and have a canter up and down the square. (“Little old ladies stop and say ‘Well, I declare!’”) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to “The Equestrian Statue” on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will, this is reminiscent of “The Equestrian Statue”, a song by 1960s prankster musicians, the [[wikipedia:Bonzo Dog Doo-Dah Band|Bonzo Dog Doo-Dah Band]]. In the song a statue in the park takes it into its head to wake up and have a canter up and down the square. (“Little old ladies stop and say ‘Well, I declare!’”) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to “The Equestrian Statue” on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &quot;mound-digging Cromwells&quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &quot;official&quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is Stoneface Vimes - a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &quot;mound-digging Cromwells&quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &quot;official&quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Stoneface Vimes&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;- a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Perhaps on their journeys through the dimensions, the Feegle may have visited Ireland in the 1650&amp;#039;s and 1660&amp;#039;s; Irish folklore preserves the myth of a terrible, wrathful and cunning Little People living in mounds and barrows,  who are to leprechauns what Feegle are to flower fairies. Little People are, after all, common to all the Celtic mythologies - Scottish, Welsh, Manx, Breton and Irish.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Perhaps on their journeys through the dimensions, the Feegle may have visited Ireland in the 1650&amp;#039;s and 1660&amp;#039;s; Irish folklore preserves the myth of a terrible, wrathful and cunning Little People living in mounds and barrows,  who are to leprechauns what Feegle are to flower fairies. Little People are, after all, common to all the Celtic mythologies - Scottish, Welsh, Manx, Breton and Irish.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:(* The otherwise unknown and unreferenced country of Hergen has been proposed, but this is strictly non-canon, with nothing to support it, except its geographical location on the far side of Llamedos. It is interesting in this context that {{UA}} introduces a place on the Disc with the very unambiguously Irish-sounding name of &#039;&#039;Cladh&#039;&#039;. Was there a Discworld Ireland which was never revealed?)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:(* The otherwise unknown and unreferenced country of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Hergen&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;has been proposed, but this is strictly non-canon, with nothing to support it, except its geographical location on the far side of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Llamedos&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. It is interesting in this context that {{UA}} introduces a place on the Disc with the very unambiguously Irish-sounding name of &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Cladh&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;&#039;. Was there a Discworld Ireland which was never revealed?)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;219 (Harper Edition):&quot;There is said to be a code in the number and placement of the horse&#039;s hooves.&quot;  It is indeed said, but the supposed code does not match up to reality. Perhaps a sculptor might choose a more dynamic pose to suggest that the rider should be remembered for something other than the time the rider failed to protect the life of the highest ranking soldier under his command (i.e. him or herself).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Page &lt;/ins&gt;219 (Harper Edition):&quot;There is said to be a code in the number and placement of the horse&#039;s hooves.&quot;  It is indeed said, but the supposed code does not match up to reality. Perhaps a sculptor might choose a more dynamic pose to suggest that the rider should be remembered for something other than the time the rider failed to protect the life of the highest ranking soldier under his command (i.e. him or herself).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 199-200:The goings-on at the castle in the run up to a funeral and a wedding. Why is this reminiscent of Swamp Castle in &amp;#039;&amp;#039;Monty Python and the Holy Grail&amp;#039;&amp;#039;?  Especially when a seemingly dim guard (Preston) is not &amp;#039;&amp;#039;quite&amp;#039;&amp;#039; getting it right about the need to lock up a prisoner, and an increasingly exasperated employer cannot get the idea across...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 199-200:The goings-on at the castle in the run up to a funeral and a wedding. Why is this reminiscent of Swamp Castle in &amp;#039;&amp;#039;Monty Python and the Holy Grail&amp;#039;&amp;#039;?  Especially when a seemingly dim guard (Preston) is not &amp;#039;&amp;#039;quite&amp;#039;&amp;#039; getting it right about the need to lock up a prisoner, and an increasingly exasperated employer cannot get the idea across...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;225 (Harper Edition):&quot;Swan on a Hot Tin Lake&quot; would appear to be a combination of the restrained Tchaikovsky ballet Swan Lake &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp; &lt;/del&gt;the somewhat more ribald Tennessee Williams play Cat on a Hot Tin Roof.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Page &lt;/ins&gt;225 (Harper Edition):&quot;Swan on a Hot Tin Lake&quot; would appear to be a combination of the restrained Tchaikovsky ballet &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Swan Lake&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; and &lt;/ins&gt;the somewhat more ribald Tennessee Williams play &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Cat on a Hot Tin Roof&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 274:&amp;#039;&amp;#039;The world needs cheesemakers.&amp;#039;&amp;#039; Not a million miles away from &amp;quot;Blessed are the cheese-makers&amp;quot;, the misinterpretation of Jesus&amp;#039; Sermon on the Mount heard in &amp;#039;&amp;#039;Monty Python&amp;#039;s Life of Brian&amp;#039;&amp;#039;.                 &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 274:&amp;#039;&amp;#039;The world needs cheesemakers.&amp;#039;&amp;#039; Not a million miles away from &amp;quot;Blessed are the cheese-makers&amp;quot;, the misinterpretation of Jesus&amp;#039; Sermon on the Mount heard in &amp;#039;&amp;#039;Monty Python&amp;#039;s Life of Brian&amp;#039;&amp;#039;.                 &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 316:&amp;#039;&amp;#039;...by the pricking of my thumbs, something wicked this way comes.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 316:&amp;#039;&amp;#039;...by the pricking of my thumbs, something wicked this way comes.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Shakespeare again: &#039;&#039;Macbeth&#039;&#039;. Alluding to the ability of a witch to sense things others cannot. See also the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;line &lt;/del&gt;early in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wyrd Sisters (page?) &lt;/del&gt;- &quot;Can you tell by the pricking of your thumbs?&quot; &quot;By the pricking of my ears.&quot;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Shakespeare again: &#039;&#039;Macbeth&#039;&#039;. Alluding to the ability of a witch to sense things others cannot. See also the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;exchange &lt;/ins&gt;early in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{WS}} &lt;/ins&gt;- &quot;Can you tell by the pricking of your thumbs?&quot; &quot;By the pricking of my ears.&quot;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;324 (Harper Edition):&quot;a hand thrust its way through the book&#039;s cover before a metal plate slammed down on it&quot; making it the witch burner getting pressed instead of the witch.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Page &lt;/ins&gt;324 (Harper Edition):&quot;a hand thrust its way through the book&#039;s cover before a metal plate slammed down on it&quot; making it the witch burner getting pressed instead of the witch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;[[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== General annotations ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== General annotations ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=40391&amp;oldid=prev</id>
		<title>Guybrush: Formatting, changed order of specific and general annotations to match other updated pages</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=40391&amp;oldid=prev"/>
		<updated>2025-04-27T00:29:17Z</updated>

		<summary type="html">&lt;p&gt;Formatting, changed order of specific and general annotations to match other updated pages&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:29, 27 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Annotations for {{ISWM}}. Unless otherwise specified, page numbers below are for the first edition, the UK hardcover published by Doubleday.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Annotations for {{ISWM}}. Unless otherwise specified, page numbers below are for the first edition, the UK hardcover published by Doubleday.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== General annotations ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Annotations about general ideas and concepts in the book, rather than specific passages.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;None yet.&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Specific annotations ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Specific annotations ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;163 (Harper Edition):&quot;Do not suffer a witch to live&quot; Exodus 22:18 (KJV) reads &quot;Thou shalt not suffer a witch to live,&quot; though I am told the context is less &quot;You must murder...&quot; as &quot;Do not contribute to the livelihood of...&quot; which isn&#039;t particularly nice either&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Page &lt;/ins&gt;163 (Harper Edition):&quot;Do not suffer a witch to live&quot; Exodus 22:18 (KJV) reads &quot;Thou shalt not suffer a witch to live,&quot; though I am told the context is less &quot;You must murder...&quot; as &quot;Do not contribute to the livelihood of...&quot; which isn&#039;t particularly nice either&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l51&quot;&gt;Line 51:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== General annotations ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Annotations about general ideas and concepts in the book, rather than specific passages.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;None yet.&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34782&amp;oldid=prev</id>
		<title>Superluser: Some annotations</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34782&amp;oldid=prev"/>
		<updated>2023-07-11T21:59:26Z</updated>

		<summary type="html">&lt;p&gt;Some annotations&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:59, 11 July 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;p.163 (Harper Edition):&quot;Do not suffer a witch to live&quot; Exodus 22:18 (KJV) reads &quot;Thou shalt not suffer a witch to live,&quot; though I am told the context is less &quot;You must murder...&quot; as &quot;Do not contribute to the livelihood of...&quot; which isn&#039;t particularly nice either&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 36:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Perhaps on their journeys through the dimensions, the Feegle may have visited Ireland in the 1650&amp;#039;s and 1660&amp;#039;s; Irish folklore preserves the myth of a terrible, wrathful and cunning Little People living in mounds and barrows,  who are to leprechauns what Feegle are to flower fairies. Little People are, after all, common to all the Celtic mythologies - Scottish, Welsh, Manx, Breton and Irish.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Perhaps on their journeys through the dimensions, the Feegle may have visited Ireland in the 1650&amp;#039;s and 1660&amp;#039;s; Irish folklore preserves the myth of a terrible, wrathful and cunning Little People living in mounds and barrows,  who are to leprechauns what Feegle are to flower fairies. Little People are, after all, common to all the Celtic mythologies - Scottish, Welsh, Manx, Breton and Irish.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:(* The otherwise unknown and unreferenced country of Hergen has been proposed, but this is strictly non-canon, with nothing to support it, except its geographical location on the far side of Llamedos. It is interesting in this context that {{UA}} introduces a place on the Disc with the very unambiguously Irish-sounding name of &amp;#039;&amp;#039;Cladh&amp;#039;&amp;#039;. Was there a Discworld Ireland which was never revealed?)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:(* The otherwise unknown and unreferenced country of Hergen has been proposed, but this is strictly non-canon, with nothing to support it, except its geographical location on the far side of Llamedos. It is interesting in this context that {{UA}} introduces a place on the Disc with the very unambiguously Irish-sounding name of &amp;#039;&amp;#039;Cladh&amp;#039;&amp;#039;. Was there a Discworld Ireland which was never revealed?)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;p. 219 (Harper Edition):&quot;There is said to be a code in the number and placement of the horse&#039;s hooves.&quot;  It is indeed said, but the supposed code does not match up to reality. Perhaps a sculptor might choose a more dynamic pose to suggest that the rider should be remembered for something other than the time the rider failed to protect the life of the highest ranking soldier under his command (i.e. him or herself).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 199-200:The goings-on at the castle in the run up to a funeral and a wedding. Why is this reminiscent of Swamp Castle in &amp;#039;&amp;#039;Monty Python and the Holy Grail&amp;#039;&amp;#039;?  Especially when a seemingly dim guard (Preston) is not &amp;#039;&amp;#039;quite&amp;#039;&amp;#039; getting it right about the need to lock up a prisoner, and an increasingly exasperated employer cannot get the idea across...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 199-200:The goings-on at the castle in the run up to a funeral and a wedding. Why is this reminiscent of Swamp Castle in &amp;#039;&amp;#039;Monty Python and the Holy Grail&amp;#039;&amp;#039;?  Especially when a seemingly dim guard (Preston) is not &amp;#039;&amp;#039;quite&amp;#039;&amp;#039; getting it right about the need to lock up a prisoner, and an increasingly exasperated employer cannot get the idea across...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;p. 225 (Harper Edition):&quot;Swan on a Hot Tin Lake&quot; would appear to be a combination of the restrained Tchaikovsky ballet Swan Lake &amp;amp; the somewhat more ribald Tennessee Williams play Cat on a Hot Tin Roof.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 274:&amp;#039;&amp;#039;The world needs cheesemakers.&amp;#039;&amp;#039; Not a million miles away from &amp;quot;Blessed are the cheese-makers&amp;quot;, the misinterpretation of Jesus&amp;#039; Sermon on the Mount heard in &amp;#039;&amp;#039;Monty Python&amp;#039;s Life of Brian&amp;#039;&amp;#039;.                 &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 274:&amp;#039;&amp;#039;The world needs cheesemakers.&amp;#039;&amp;#039; Not a million miles away from &amp;quot;Blessed are the cheese-makers&amp;quot;, the misinterpretation of Jesus&amp;#039; Sermon on the Mount heard in &amp;#039;&amp;#039;Monty Python&amp;#039;s Life of Brian&amp;#039;&amp;#039;.                 &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 316:&amp;#039;&amp;#039;...by the pricking of my thumbs, something wicked this way comes.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 316:&amp;#039;&amp;#039;...by the pricking of my thumbs, something wicked this way comes.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Shakespeare again: &amp;#039;&amp;#039;Macbeth&amp;#039;&amp;#039;. Alluding to the ability of a witch to sense things others cannot. See also the line early in Wyrd Sisters (page?) - &amp;quot;Can you tell by the pricking of your thumbs?&amp;quot; &amp;quot;By the pricking of my ears.&amp;quot;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Shakespeare again: &amp;#039;&amp;#039;Macbeth&amp;#039;&amp;#039;. Alluding to the ability of a witch to sense things others cannot. See also the line early in Wyrd Sisters (page?) - &amp;quot;Can you tell by the pricking of your thumbs?&amp;quot; &amp;quot;By the pricking of my ears.&amp;quot;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;p.324 (Harper Edition):&quot;a hand thrust its way through the book&#039;s cover before a metal plate slammed down on it&quot; making it the witch burner getting pressed instead of the witch.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Superluser</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34527&amp;oldid=prev</id>
		<title>Guybrush: /* Specific annotations */ Small additions, copyedits (Esk doesn’t say any of this stuff about Simon)</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34527&amp;oldid=prev"/>
		<updated>2023-03-29T06:50:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Specific annotations: &lt;/span&gt; Small additions, copyedits (Esk doesn’t say any of this stuff about Simon)&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:50, 29 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] declares of the Unreal Estate, &amp;quot;It will be certain death to go in there. Certain death! You&amp;#039;ll all be doomed!&amp;quot; This resembles the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &amp;#039;&amp;#039;[[wikipedia:Dad&amp;#039;s Army|Dad&amp;#039;s Army]]&amp;#039;&amp;#039;. Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 176-177:Since last being heard of in {{ER}}, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Simon is described (via third-party accounts) as having &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;let &lt;/del&gt;his illnesses and allergies &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;multiply &lt;/del&gt;to the point where he &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has become &lt;/del&gt;Unseen University&#039;s analogue of Stephen Hawking - &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;speaking to peers through a machine (HEX?) and &lt;/del&gt;unable to move&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, talk, &lt;/del&gt;or do very much for himself. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some of this &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;related via [[Esk]]&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who can be described as a reliable witness&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Page 176:”In this neighbourhood we don’t just watch!” A reference to [[wikipedia:Neighbourhood Watch|Neighbourhood Watch]], originally a community “crime prevention movement” started in New York in the 1960s. In 2007 the “Neighbourhood Watch Network” organisation was set up in the UK to coordinate local Neighbourhood Watch groups, helping them liaise with the police.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;...&lt;/del&gt;&quot;the young Eskarina had met at the University a young man called Simon who had been cursed by the Gods with almost every possible ailment that mankind was prone to. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;:&#039;&#039;&lt;/del&gt;But because the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gods &lt;/del&gt;have a sense of humour, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;although &lt;/del&gt;it&#039;s a rather strange one, they had granted him the power to understand&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;....&lt;/del&gt;well&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &#039;&#039;&#039;&#039;&#039;&lt;/del&gt;everything&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;&#039;&lt;/del&gt;. He could barely walk without assistance but was so brilliant that he managed to keep the whole universe in his head. Wizards... would flock to hear him talk about space and time and magic as if they were all part of the same thing. And young Eskarina had fed him and cleaned him and helped him get about and learned from him &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;- well&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;everything.&quot;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 176-177 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Gift Edition pages 210-211)&lt;/ins&gt;:Since last being heard of in {{ER}}, Simon is described (via third-party accounts &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tiffany remembers&lt;/ins&gt;) as having his illnesses and allergies &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;multiplied &lt;/ins&gt;to the point where he &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;resembles &lt;/ins&gt;Unseen University&#039;s analogue of Stephen Hawking - unable to move or do very much for himself. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(He &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;still able to speak&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;though&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&#039;&#039;&quot;the young Eskarina had met at the University a young man called Simon who had been cursed by the Gods with almost every possible ailment that mankind was prone to. But&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;because the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gods &lt;/ins&gt;have a sense of humour, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;even though &lt;/ins&gt;it&#039;s a rather strange one, they had granted him the power to understand &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/ins&gt;well &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/ins&gt;everything. He could barely walk without assistance but was so brilliant that he managed to keep the whole universe in his head. Wizards &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;...&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/ins&gt;would flock to hear him talk about space and time and magic as if they were all part of the same thing. And young Eskarina had fed him and cleaned him and helped him get about and learned from him - well &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/ins&gt;everything.&quot;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34524&amp;oldid=prev</id>
		<title>Guybrush: /* Specific annotations */ Fixed wiki link for Bonzo Dog Doo-Dah Band</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34524&amp;oldid=prev"/>
		<updated>2023-03-29T00:31:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Specific annotations: &lt;/span&gt; Fixed wiki link for Bonzo Dog Doo-Dah Band&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:31, 29 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will, this is reminiscent of “The Equestrian Statue”, a song by 1960s prankster musicians, [[wikipedia:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/del&gt;Bonzo-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dog Doodah &lt;/del&gt;Band|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/del&gt;Bonzo-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dog Doodah &lt;/del&gt;Band]]. In the song a statue in the park takes it into its head to wake up and have a canter up and down the square. (“Little old ladies stop and say ‘Well, I declare!’”) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to “The Equestrian Statue” on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will, this is reminiscent of “The Equestrian Statue”, a song by 1960s prankster musicians, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;[[wikipedia:Bonzo &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dog Doo&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dah &lt;/ins&gt;Band|Bonzo &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dog Doo&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dah &lt;/ins&gt;Band]]. In the song a statue in the park takes it into its head to wake up and have a canter up and down the square. (“Little old ladies stop and say ‘Well, I declare!’”) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to “The Equestrian Statue” on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &amp;quot;mound-digging Cromwells&amp;quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &amp;quot;official&amp;quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is Stoneface Vimes - a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &amp;quot;mound-digging Cromwells&amp;quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &amp;quot;official&amp;quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is Stoneface Vimes - a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34523&amp;oldid=prev</id>
		<title>Guybrush: /* Specific annotations */ Softening language around “The Equestrian Statue”</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34523&amp;oldid=prev"/>
		<updated>2023-03-29T00:27:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Specific annotations: &lt;/span&gt; Softening language around “The Equestrian Statue”&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:27, 29 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:And Simon describes part of the knowledge as &amp;#039;&amp;#039;elasticated string theory&amp;#039;&amp;#039;, a phenomena which Eskarina says, in a discourse with Tiffany, has at least sixteen different dimensions... Compare this to Hawking on superspace and string theory. (See also page 332, below.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- think &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;song &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;The Equestrian Statue&quot; &lt;/del&gt;by 1960s prankster musicians, The Bonzo-Dog Doodah Band&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, in which &lt;/del&gt;a statue in the park takes it into its head to wake up and have a canter up and down the square. (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Little &lt;/del&gt;old ladies stop and say &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Well&lt;/del&gt;, I declare!&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the song &lt;/del&gt;on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 175:When Mrs Proust performs magic on the statue of Lord Albert Rust to turn it into a temporary Golem under her will&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, this is reminiscent &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The Equestrian Statue”, a &lt;/ins&gt;song by 1960s prankster musicians, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[wikipedia:&lt;/ins&gt;The Bonzo-Dog Doodah Band&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|The Bonzo-Dog Doodah Band]]. In the song &lt;/ins&gt;a statue in the park takes it into its head to wake up and have a canter up and down the square. (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Little &lt;/ins&gt;old ladies stop and say &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;‘Well&lt;/ins&gt;, I declare!&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;’”&lt;/ins&gt;) You can [http://www.youtube.com/watch?v=mKtfFmYiI40 listen to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The Equestrian Statue” &lt;/ins&gt;on YouTube].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &amp;quot;mound-digging Cromwells&amp;quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &amp;quot;official&amp;quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is Stoneface Vimes - a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 216:Rob Anybody describes the abortive attempt to evict the Feegle as having been carried out by a bunch of &amp;quot;mound-digging Cromwells&amp;quot;. This is a strange expression for the Disc, as Oliver Cromwell was the Lord Protector of England who is even today vilified for a policy of mass slaughter and destruction during his campaign in Ireland. Fan-fiction aside, there is no &amp;quot;official&amp;quot; Discworld analogue for Ireland or all things Irish*, and the only other analogue to Cromwell on the Discworld is Stoneface Vimes - a man who, while capable of executing a King, would not have countenanced the destruction of a city and the slaughter of all its inhabitants. A Vimes would happily kill a King, but only to protect and serve the people.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34522&amp;oldid=prev</id>
		<title>Guybrush: /* Specific annotations */</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34522&amp;oldid=prev"/>
		<updated>2023-03-28T08:29:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Specific annotations&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:29, 28 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 149:Long-term solitary confinement prisoners, often dangerous killers, keeping caged birds for company in their cells is now a cliche, thanks to the &amp;quot;Birdman of Alcatraz&amp;quot;. Depressingly, the real-life &amp;quot;Birdman&amp;quot;, Robert Stroud, never kept caged birds in his life, and certainly not during his incarceration. Stroud was a devious, manipulative and thoroughly loathsome double murderer with paedophilic tendencies, who knew how to play a good PR game. He convinced a charismatic lawyer to fight his appeals, leading to a romantic and wildly inaccurate book being written about him, Thomas E. Gaddis&amp;#039; &amp;#039;&amp;#039;Birdman of Alcatraz&amp;#039;&amp;#039;, in 1955. [[wikipedia:Birdman of Alcatraz (film)|The 1962 Hollywood film starring Burt Lancaster]] established the fiction firmly in the public eye. (Source: [https://www.simonandschuster.com.au/books/Perfect-Victims/Bill-James/9780857203922 &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perfect Victims&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by Bill James], Simon and Schuster, 2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gloomily intones &lt;/del&gt;&quot;It will be certain death to go in there. Certain death! You&#039;ll all be doomed!&quot; This &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/del&gt;the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &#039;&#039;[[wikipedia:Dad&#039;s Army|Dad&#039;s Army]]&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 164:[[Wee Mad Arthur]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;declares of the Unreal Estate, &lt;/ins&gt;&quot;It will be certain death to go in there. Certain death! You&#039;ll all be doomed!&quot; This &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;resembles &lt;/ins&gt;the catch-phrase of Scottish comic actor John Laurie, who played the gloomy undertaker and over-age soldier Private Frazer in the British sitcom &#039;&#039;[[wikipedia:Dad&#039;s Army|Dad&#039;s Army]]&#039;&#039;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wee Mad Arthur doesn’t make a habit of it, though, and isn’t gloomy at all, so this one might just be coincidence. (Arthur is also, before this book, usually written with a more Northern accent than a Scottish one.)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 176-177:Since last being heard of in {{ER}},  Simon is described (via third-party accounts) as having let his illnesses and allergies multiply to the point where he has become Unseen University&amp;#039;s analogue of Stephen Hawking - speaking to peers through a machine (HEX?) and unable to move, talk, or do very much for himself. Some of this is related via [[Esk]], who can be described as a reliable witness.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pages 176-177:Since last being heard of in {{ER}},  Simon is described (via third-party accounts) as having let his illnesses and allergies multiply to the point where he has become Unseen University&amp;#039;s analogue of Stephen Hawking - speaking to peers through a machine (HEX?) and unable to move, talk, or do very much for himself. Some of this is related via [[Esk]], who can be described as a reliable witness.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34520&amp;oldid=prev</id>
		<title>Guybrush: Removed “strength of the coven” annotation as it doesn’t appear in any of the Tiffany books</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34520&amp;oldid=prev"/>
		<updated>2023-03-28T08:25:03Z</updated>

		<summary type="html">&lt;p&gt;Removed “strength of the coven” annotation as it doesn’t appear in any of the Tiffany books&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:25, 28 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Page 332:We learn that Eskarina has a son, whom she must protect. This is the only mention of him in the book. Theories about this tantalising standalone fact may be found [[Talk:Eskarina Smith|on the Discussion page]] for the [[Eskarina Smith]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Annotations missing page numbers ===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Page unknown:&quot;The strength of the witch is the coven and the strength of the coven is the witch&quot; seems equivalent to Kipling&#039;s &quot;The Law for the Wolves&quot;, as found in &#039;&#039;The Second Jungle Book&#039;&#039;:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;:&#039;&#039;As the creeper that girdles the tree trunk, the law runneth forward and back&amp;lt;/br&amp;gt;For the strength of the pack is the wolf, and the strength of the wolf is the pack.&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Annotations]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34312&amp;oldid=prev</id>
		<title>Guybrush: Updated to new annotation formatting; removed dead link (the doom was doomed)</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=34312&amp;oldid=prev"/>
		<updated>2023-01-29T06:31:51Z</updated>

		<summary type="html">&lt;p&gt;Updated to new annotation formatting; removed dead link (the doom was doomed)&lt;/p&gt;
&lt;a href=&quot;http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;amp;diff=34312&amp;amp;oldid=20283&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Guybrush</name></author>
	</entry>
	<entry>
		<id>http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=20283&amp;oldid=prev</id>
		<title>Cerddaf: Info on Cerne Abbas and Uffingham chalk figures</title>
		<link rel="alternate" type="text/html" href="http://wiki.lspace.org/index.php?title=Book:I_Shall_Wear_Midnight/Annotations&amp;diff=20283&amp;oldid=prev"/>
		<updated>2014-07-29T21:18:31Z</updated>

		<summary type="html">&lt;p&gt;Info on Cerne Abbas and Uffingham chalk figures&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:18, 29 July 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;(Doubleday hardback pp11-13)&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;(Doubleday hardback pp11-13)&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The scouring fair and the Giant: this still happens in England, where a remarkably similar and somewhat [http://en.wikipedia.org/wiki/Cerne_Abbas_giant priapic giant] is carved in the chalk at Cerne Abbas, in Dorset. Every so often his lines need cleaning...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The scouring fair and the Giant: this still happens in England, where a remarkably similar and somewhat [http://en.wikipedia.org/wiki/Cerne_Abbas_giant priapic giant] is carved in the chalk at Cerne Abbas, in Dorset. Every so often his lines need cleaning. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Apparently for many years postcards of the giant were the only pornographic images that could legally be sent through HM Royal Mail&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Meanwhile at Uffington the White Horse is similarly (though less ribaldly) scoured, and the event is celebrated by a fair, with all the usual entertainments, including Cheese Rolling and ducking for apples, though not apparently ducking for frogs&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;(Doubleday hardback p 103)&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;Still, it could have been worse,&amp;#039;&amp;#039; she told herself. &amp;#039;&amp;#039;There could have been snakes on the broomstick.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;(Doubleday hardback p 103)&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;Still, it could have been worse,&amp;#039;&amp;#039; she told herself. &amp;#039;&amp;#039;There could have been snakes on the broomstick.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Cerddaf</name></author>
	</entry>
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